SteganographicRxGenetic Privacy Priority of the p h i l o g u s d e m e n t i a e METERS OF CONSCIOUSNESS

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.------------.-I M P R E S S I O N S O F W O R K.------------.
A Mephistophelian Intrusion of
Minutia and Mannerisms1 + 2
the literary and pictorial styles of L E S T A T
ALIAS
Dr.Charles Monroe.Ph i l o l o g u s d e m e n t i a e / .FOUNDER OF

THE CAMP ARCHIMEDES SOCIETY & JOHNNY VIRTUAL STUDIOS

• 1
  Text and imagery created by me, I like to call: Art of Concept, or -concept art-, but is it so that I am a Concept Artist in the traditional (CG) sense of things? The concept of -concept art-.demonstrates the need for meta-process to create a bearable abstract; by a imagining a quantum super-positioning in logical space, the emerging picture of reality systemically conceals the debris that was covering up of the minutia of my proposition: Art of Concept. ART AND CONCEPT, upon behaving as non-contextualized atomos, is when neither makes much (or any!) sense. Alternately placed, they can combine and produce a hitherto unfamiliar Sensum, deepened by the meter to its meme.

  
  I contend there is a logical association (call it underlying geometric form) between Sensum and Concept, while appearing to the outsider as if I am tossing dice to achieve my word´s worth. When Suchness is perceived, the inertia precursory to consensus in ordinary language (eliminated in symbolic syntax), is felt with profundity.My audience have time and time again, spoken upon the appeal of the work to enable tis audience to go beyond what seems like evident. My work has also been interpreted as entities collaborating to cheat on simplicity, making it into a thing it is not.

  "Creating Complex from Simple, just to pass time and have a bit of leisure. Is how you waste people´s time.."-anonymous.

  Before I was close to aware of my work´s likelihood to peak-a-tease, Mr. Anonymous´note speaks exactly like when ´don´t get the point, only a period mark or two he left with.´

  What a strikingly alarming imprecision detected in the observable from anonymous, audited from inside my private equity of period marks and points of view. My teleological report, counting page up and down, propositions with a sense of word-, color,-and form´s worth, demonstrates --avec grand plaisir et facilité-- that the anti-thesis to this accusers´ proposition, has been on its on weigh for quite a multiple of the company he himself, -and those nothing like him- , keep as their own, on their own. The bounty-hunt is again on for Complexity!

"..come out, come out however hypophysectomized and anatomized into auto-sodomy thou art! "

Ever oblivious to ´normalcy´, All I shall be accredited with, are: anomalous appetites, odd and adversarial aptitudes, atrophy of attentiveness, and adding2p!tÔ. I am presumably as appeasing as Man can be, but Alas!-for to appease, is to not serve that pint of delicious and champagne-chilled arrogance.

"O´ Amplitudes of Anima, appropriated to a taste in world´s worth found only inside far-flung words."

My always attentive and strange-attractor muses, -Inspiration and Irritation - alarm-and impatiens me to bring merit to all apocryphal oaths and notes, thrill-seeking spectres , the esthete (-minded) stenographer, reduction of brain´s glucose levels and at last whilst off the lists-pyrognostics of steganographic Rx. The Decalogue´s (dis-) interested dissents, perennially in pursuit of disconcordant and disembodied divinity to consecrate,-and concentrate as IDOLATRY to be contained within the auscultated paranoiac-critical; thus, giving all reasons for happiness by being heftily ruinous to otherwise sound livers and Goldilocks of Mental. The latter is rumored to be found somewhere around pressure, para-sympathetic, pleasure, preemptive and pain. So is the forme.

I am welcoming you to Art of Concept, my very own Underdog to rules of thumb, collected with energized biased from Chaos´ Theory (of E), admitting to desire and serve as concierge to Reactant if we have the chemistry (like in the spirit of Lauren, Audrina and Lo´s kitchen speak), a special someone´s how, preeminently active in having the world become mystified when happening upon the point of view worth petitioning the PERIODIC TABLE OF ELEMENTS with QUOD ERAT DEMONSTRANDUM..

2

Charles is a character of fiction, who became non-separable from fact the very first moment I was Thought Of, living happily ever before and after my date with birth. He grew up to become a fact in logical space, and I am his steganographer. The following is presumed to give an overview of his more recent (and interesting) states of affairs.

SteganographicRxrepresents my own abbreviation, -or perspectival foreshortening-, of an equation within the Theory of Fractals, called the Logistic Equation. It looks like this, devoid of shortcomings:

xnext= rx(1-x)

When applied to the workings of Charles, it takes on the significance of measuring the growth of the population of logical endings to his sensum in what is written, but not so much in his form-, and color creations; which are almost exclusively based in the category of cryptomnesia, or "concealed recollection."

x stands for First Thought (concept). The concept is pruned for status as an etymological isotope. If isotopic features are found, they are eliminated. During elimination, a metamorphosis happens. Concept, now exited its inborn convivial and connotative nature, is cooled down. This is the State of Metasemantic, which Charles is profusely inspired by when he makes his word-creations, -or Love Letters-, as he likes to call them. He is yet to comprehend the extensionality of this art of concept. r is the constant in the equation, but in the case of Charles, it is forceably set adrift from the structural rigor and immediacy it has, belonging inside the language of mathematics. However, r does denote a constancy, but one resulting from it being re-positioned into a parenthesis of paranoiac-critical vision. This proved to be a successful move, considering the amount of street-credibility it has gained. Hitherto, no false arguments have been introduced to accurately picture the Rise And Fall Of the Population of Logical Endings to Sensum. Constant r,- also a consonant-, has transformed into a continuum:

The Progressive Gestation of
ATTENTION’S DEFICITS IN
HIGH DEFINITION.

Ad val.

Charles refers to this himself as the Big Bang leading the Way To-, Fro- and For his Sense of Things. It is safe, therefore to assume that universe action never will turn cadaverous on his watch. The mention of ´ false arguments´ must be taken to signify that the worlds he imagines, are not without a sense. It is told that even God cannot create anything that goes against the laws of logic, -and of course-, this then, holds true for yours truly. Neither Charles nor I can imagine what an illogical world will look like.

To some of those interested in our work, the web woven with logic´s silk to make word´s worth, is hard to see. Nevertheless, it is there. And some have seen it and thus made it possible for us both, to escape the structural rigor and immediacy of single-mindedness. Metalogical (-magick typecast?) analysis lets us open the doors of perception even further. In the super-positioning of our single-mindedness in logical space, what becomes clear as day, is that

"form is the possibility of structure, and structure is to imagine a logical association of thought to the totality of existing states of affairs (the world, universe)"

This connectedness of logic to things, spans depths -inclusive of all their electrolytes-, like those washed up on the shore between here-and-then; a statement about the affairs of the world-State of Descriptive-, and action directly shaping the state(s) of the world (universe, rather-e.d); State of Normative. The latter of which takes place apparently by faculty of mind alone; that is, without any symbolic intervention. Examples of Suchness is an easy find, when one happens to be into the particularities. CERN, Switzerland, is one place. Another is the ´somehow´s´of Heisenberg, and other gossip magazine columnists.

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::../x]::.PICTORIAL [feature] Work
see under artFiXx


•(CA)::../x]::.PHILOLOGICAL [in part -/published] Work: